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Photography - Photographic image-forming devices - in English

 

Photography - Sector Index
 

Français

Photographie
Étymologie

Évolution

 Invention du négatif

Invention de la photographie en couleurs

La photographie numérique

Un art populaire

 

English

Photography

Photographic image-forming devices

History of photography

Social history

Popularization

Photography types

Color photography

Digital Photography

Quality

Price

Robustness

Photography

Archiving

Photography styles

References and additional readings

 

Italiano

Fotografia

Note Storiche

Tecnica

Riproduzione dei colori

Chimica

Processi senza argento

Processi per le istantanee

Applicazioni scientifiche

Fotografia stereoscopica

Fotografia aerea e orbitale

Arte

Ateliers fotografici

Reportage

Diritto

 

Português

Fotografia

Dispositivos formadores de imagem

Usos da fotografia

A Fotografia no cotidiano e na escola

Visão periférica

Agências de notícias

Clube de fotógrafos

Fotos no e-mail

Álbuns virtuais

Fotógrafo

Amadores e profissionais

Memória e Afeto

Fotografia como arte

Relação das câmeras fotográficas

 

Español

Fotografía

Historia

Fotografía como arte

 

Deutsch

Fotografie

Definition

Fototechnik

Fotoapparat

Geschichte der Fotografie

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Fotografinnen und Fotografen

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Photography is the process of making pictures by means of the action of light. Light patterns reflected or emitted from objects are recorded onto a sensitive medium or storage chip through a timed exposure. The process is done through mechanical, chemical or digital devices known as cameras.

The word comes from the Greek words φως phos ("light"), and γραφις graphis ("stylus", "paintbrush") or γραφη graphê, together meaning "drawing with light" or "representation by means of lines" or "drawing." Traditionally the product of photography has been called a photograph. The term photo is an abbreviation; many people also call them pictures. In digital photography, the term image has begun to replace photograph. (The term image is traditional in geometric optics.)

Photographic image-forming devices

A camera or camera obscura is the image-forming device and photographic film or a digital storage card is the recording medium, although other methods are available. For instance, the photocopy or xerography machine forms permanent images but uses the transfer of static electrical charges rather than photographic film, hence the term electrophotography. Rayographs published by Man Ray and others are images produced by the shadows of objects cast on the photographic paper, without the use of a camera. Objects can also be placed directly on the glass of a scanner to produce digital pictures.

Photographers control the camera and lens to expose the light recording material (usually film or a charge-coupled device; a complementary metal-oxide-semiconductor may also be used) to the required amount of light. After processing, this produces an image.

The controls include:

  • Focus of lens

  • Aperture of the lens (amount of light allowed to pass through the lens)

  • Focal length and type of lens (telephoto, macro, wide angle, or zoom)

  • Filters, or scrims placed between the subject and the light recording material, either in front of or behind the lens

  • Duration of exposure (or shutter speed)

  • Sensitivity of the medium to light intensity and color/wavelength

  • The nature of the light recording material, for example its resolution as measured in pixels or grains of silver halide

Camera controls are inter-related, as the total amount of light reaching the film plane (the "exposure") changes proportionately with the duration of exposure, aperture of the lens, and focal length of the lens (which changes as the lens is focused, or zoomed). Changing any of these controls alter the exposure. Many cameras automatically adjust the aperture of the lens to account for changes in focus, and some will accommodate changes in zoom as well.

The duration of an exposure is referred to as shutter speed, often even in cameras that don't have a physical shutter, and is typically measured in fractions of a second. Aperture is expressed by an f-number or f-stop (derived from focal ratio), which is proportional to the ratio of the focal length to the diameter of the aperture. If the f-number is decreased by a factor of \sqrt 2, the aperture diameter is increased by the same factor, and its area is increased by a factor of 2. The f-stops that might be found on a typical lens include 2.8, 4, 5.6, 8, 11, 16, 22, 32, where going up "one stop" doubles the amount of light reaching the film, and stopping down one stop halves the amount of light.

Exposures can be achieved through various combinations of shutter speed and aperture. For example, f/8 at 1/125th of a second and f/4 at 1/500th of a second yield the same amount of light. The chosen combination has an impact on the final result. In addition to the subject or camera movement that might vary depending on the shutter speed, the aperture (and focal length of the lens) determine the depth of field, which refers to the range of distances from the lens that will be in focus. For example, using a long lens and a large aperture (f/2.8, for example), a subject's eyes might be in sharp focus, but not the tip of the nose. With a smaller aperture (f/22), or a shorter lens, both the subject's eyes and nose can be in focus. With very small apertures, such as pinholes, a wide range of distance can be brought into focus.

Image capture is only part of the image forming process. Regardless of material, some process must be employed to render the latent image captured by the camera into the final photographic work. This process consists of two steps, development, and printing.

During the printing process, modifications can be made to the print by several controls. Many of these controls are similar to controls during image capture, while some are exclusive to the printing process. Most controls have equivalent digital concepts, but some create different effects. For example, dodging and burning controls are different between digital and film processes. Other printing modifications include:

  • Chemicals and Process used during film development

  • Duration of exposure (equivalent to shutter speed)

  • Printing Aperture (equivalent to aperture, but has no effect on depth of field)

  • Contrast

  • Dodging (Reduction in exposure of certain print areas, resulting in a lighter areas)

  • Burning (Increase in exposure of certain areas, resulting in darker areas)

  • Paper Quality (Glossy, Matte, Etc)

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